• The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 27 April
    David Hockney
    The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 27 April, 2011
    iPad painting in colours on wove paper
    139.7 x 105.4 cm
    55 x 41 1/2 inches
    Edition of 25
    Signed, dated and numbered in pencil
  • The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 5 May
    David Hockney
    The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 5 May, 2011
    iPad painting in colours on wove paper
    139.7 x 105.4 cm
    55 x 41 1/2 inches
    Edition of 25
    Signed, dated and numbered in pencil
  • The Arrival of Spring in Woldgate, East Yorkshire in 2011. 23 April
    David Hockney
    The Arrival of Spring in Woldgate, East Yorkshire in 2011. 23 April, 2011
    iPad drawing on paper
    140 x 105cm
    55.1 x 41.3 inches
    Edition of 25
    Signed, dated and numbered in pencil
  • 4th February 2021, Flowers in a White Vase with Chair
    David Hockney
    4th February 2021, Flowers in a White Vase with Chair, 2021
    IPad painting printed on paper
    88.9 × 63.5 cm
    35 × 25 in
    Edition of 50
    Signed, dated and numbered by the artist
  • 20th February 2021, Jug with Flowers
    David Hockney
    20th February 2021, Jug with Flowers, 2021
    IPad painting printed on paper
    89 × 64 cm
    35 × 25 1/5 in
    Edition of 50
    Signed, dated and titled
  • 28th February 2021 (Roses in a Blue Vase)
    David Hockney
    28th February 2021 (Roses in a Blue Vase), 2021
    IPad painting printed on paper
    88.9 × 63.5 cm
    35 × 25 in
    Edition of 50
    Signed, dated and numbered by the artist
  • 2nd March 2021
    David Hockney
    2nd March 2021 , 2021
    iPad painting printed on paper
    88.9 x 63.5 cm
    35 x 25 inches
    Edition of 50
    Signed and dated in pencil
  • 16th March 2021, Tulips in Cut Glass
    David Hockney
    16th March 2021, Tulips in Cut Glass, 2021
    iPad painting printed on paper
    89 x 63.5 cm
    35 x 25 inches
    Edition of 50
    Signed and dated in pencil
  • 19th March 2021, Sunflower with Exotic Flower
    David Hockney
    19th March 2021, Sunflower with Exotic Flower, 2021
    iPad painting printed on paper
    89 x 63.5 cm
    35 x 25 inches
    Edition of 50
    Signed and dated in pencil
  • 20th March 2021, Flowers, Glass Vase On A Table
    David Hockney
    20th March 2021, Flowers, Glass Vase On A Table, 2021
    iPad painting printed on paper
    89 x 63.5 cm
    35 x 25 inches
    Edition of 50
    Signed and dated in pencil
  • 23rd March, Flowers in a Milk Bottle, 2021
    David Hockney
    23rd March, Flowers in a Milk Bottle, 2021, 2021
    iPad painting printed on paper
    89 x 63.5 cm
    35 x 25 inches
    Edition of 50
  • 7th April 2021, Three Daffodils In A Bottle
    David Hockney
    7th April 2021, Three Daffodils In A Bottle, 2021
    iPad painting printed on paper
    89 x 63.5 cm
    35 x 25 inches
    Edition of 50
    Signed and dated in pencil
  • 21 April 2021, Yellow Flowers in a Small Milk Churn
    David Hockney
    21 April 2021, Yellow Flowers in a Small Milk Churn, 2021
    iPad painting printed on paper
    89 x 63.5 cm
    35 x 25 inches
    Edition of 50
    Signed and dated in pencil
  • A Bigger Book, Art Edition B
    David Hockney
    A Bigger Book, Art Edition B, 2010
    iPad drawing in colours on archival paper, with the accompanying book
    70 × 50 cm
    27 3/5 × 19 7/10 in
    Edition of 250
    Signed dated and numbered at the bottom of the sheet
  • A Bigger Book - Art Edition C, 2010
    David Hockney
    A Bigger Book - Art Edition C, 2010, 2010
    iPad drawing in colours, printed on archival paper, with full margins, with the illustrated 680-page chronology book numbered '0645', original print portfolio and adjustable book stand designed by Marc Newson, all contained in the original cardboard box with label stamp-numbered '0645'.
    55.9 × 43.2 cm
    22 × 17 in
    Edition of 250
    Signed dated and numbered at the bottom of the sheet
  • A Bigger Book - Art Edition D
    David Hockney
    A Bigger Book - Art Edition D, 2010
    iPad drawing in colours on archival paper
    55.9 × 43.2 cm
    22 × 17 in
    Edition of 250
    Signed dated and numbered at the bottom of the sheet
  • A Bigger Book - The Full Set (A-D)
    David Hockney
    A Bigger Book - The Full Set (A-D), 2010/16
    The complete set of four iPad drawings in colours, printed on archival paper
    Sheet: 55.9 x 43.2 cm (22 x 17 inches)
    Edition of 250
    Signed dated and numbered at the bottom of the sheet
  • Sunflowers II [MCA Tokyo 348]
    David Hockney
    Sunflowers II [MCA Tokyo 348], 1995
    Etching with aquatint on Arches wove paper
    46 x 38 cm
    18.1 x 15 inches
    Edition of 80
    Signed, dated and numbered in pencil
  • Black Tulips
    David Hockney
    Black Tulips, 1980
    Lithograph on Cream BFK Rives Paper
    Image: 111.76 x 76.2 cm | 44 x 30 inches
    Frame: | 146 x 110 cm | 57.5 x 43.3 inches
    Edition of 100
  • Going Out
    David Hockney
    Going Out, 1993
    Lithograph and screenprint in colours on Arches wove paper
    58.2 x 76.1 cm
    23 x 30 inches
    Edition of 68
    Signed, dated, and numbered in pencil
  • Blue Hang Cliff
    David Hockney
    Blue Hang Cliff, 1993
    Lithograph and screenprint on Arches paper
    Sheet: 58.4 x 76.2 cm | 23 x 30 inches
    Edition of 68 with 14 artist's proofs
  • Lightning, from The Weather Series (G. 411, S.A.C. 139, M.C.A.T. 130)
    David Hockney
    Lightning, from The Weather Series (G. 411, S.A.C. 139, M.C.A.T. 130), 1973
    Lithograph and screenprint on Arjomari paper
    99.8 x 80.1 cm
    39 1/4 x 31 1/2 inches
    Edition of 98 plus 12 artist's proofs
  • Pool made with Paper and Blue Ink for Book, from Paper Pools
    David Hockney
    Pool made with Paper and Blue Ink for Book, from Paper Pools, 1980
    Lithograph in colours, on Arches Cover paper, the full sheet, with the accompanying book Paper Pools
    26.7 × 22.8 cm
    10 1/2 × 9 in
    Edition of 1000 + 100AP
    Signed in pencil
  • Water pouring into swimming pool, Santa Monica
    David Hockney
    Water pouring into swimming pool, Santa Monica, 1964
    Lithograph in colours on handmade Japan paper, with full margins
    approximate sheet size: 51.4 x 66.3 cm
    Edition of 75
    Hand-signed and dated by the artist on front of sheet
  • Living Room & Terrace
    David Hockney
    Living Room & Terrace, 1986
    Handmade print in colours executed on an office photocopier on two pieces of paper
    43.1 x 56 cm
    17 x 22 1/16 inches
    Edition of 60
  • Number 1 Chair
    David Hockney
    Number 1 Chair, 1985-6
    Colour lithograph and etching on handmade HMP paper
    56.5 x 47.9 cm
    22 1/4 x 18 7/8 inches
    Frame: 78 x 68 cm
    A printer's proof aside from the edition of 60
    Signed, dated and numbered AP III/XVI in pencil
  • A Picture of Ourselves from 'The Blue Guitar' portfolio
    David Hockney
    A Picture of Ourselves from 'The Blue Guitar' portfolio, 1967-77
    Etching with aquatint in colours on Inversk mould-made paper
    53 x 46 cm
    20.9 x 18.2 inches
    Edition of 200
    Signed, dated, and numbered in pencil
  • Man Reading Stendhal, July 1986 [MCA 302]
    David Hockney
    Man Reading Stendhal, July 1986 [MCA 302], 1986
    Homemade print, colour copy machine on Arches wove paper
    I: 35 x 21.1 cm | 13.8 x 8.3 inches
    Edition of 60
    Signed, dated and numbered in pencil
  • Still Life with Curtains [MCA 289]
    David Hockney
    Still Life with Curtains [MCA 289], 1986
    Home-made print, colour copier machine on 120gsm Arches wove paper
    I: 21.1 x 26.5 cm | 8.3 x 10.5 inches
    Edition of 48
    Signed, dated and numbered from the edition of 48
  • Red, Blue and Wicker
    David Hockney
    Red, Blue and Wicker, ca 1986
    Office copy machine on arches paper
    28 × 21.6 cm
    11 × 8 1/2 in
    Edition of 39
    Hand-signed by artist, Signed on front of sheet
  • Waving April
    David Hockney
    Waving April, 1986
    Home made print in two colours
    27.9 × 21.6 cm
    11 × 8 1/2 in
    Edition of 45
    Hand-signed by artist, Signed dated and numbered
  • Hotel by the Sea, 15 October
    David Hockney
    Hotel by the Sea, 15 October, 1999
    Xerox copy of facsimile drawing in 16 parts on paper, from the original ink on paper
    97 × 152 cm
    38 × 60 inches
  • Rocks on the Road in Landscape
    David Hockney
    Rocks on the Road in Landscape, 1989
    Xerox copy of facsimile drawing, from the original ink on paper
    22 x 28 cm
    8.7 x 11.1 inches
  • Walking Man
    David Hockney
    Walking Man, 1964
    Lithograph on BFK Rives wove paper
    45.2 × 56.8 cm
    17 4/5 × 22 2/5 in
    Edition 46 of 60
    Hand-signed by artist, Signed twice on front right of sheet
  • Tree
    David Hockney
    Tree, 1968
    Lithograph printed in colours on BFK Rives wove paper
    65 × 49.8 cm
    25 3/5 × 19 3/5 in
    Edition proof of 95 / AP
    Hand-signed by artist, signed in pencil, dated, dedicated ‘for Michael + Ann with love.’, inscribed ‘Trial Proof’, a proof aside the numbered edition of 95
  • Picture of a Pointless Abstraction Framed under Glass
    David Hockney
    Picture of a Pointless Abstraction Framed under Glass, 1965
    Color lithograph on Rives BFK
    765x560 mm; 30x22 inches (sheet)
    Edition of 85
    Signed, dated and numbered n pencil, lower right
  • The Hypnotist
    David Hockney
    The Hypnotist, 1963
    Printed for the ‘Orell Fussli Buchhanding Zurich’ Without lettering on water marked paper
    46 x 24 cm
    18.11 x 9.45 in
  • Sell your Soul
    David Shrigley
    Sell your Soul, 2012
    Screenprint in colours on wove
    76.0 x 56.0 cm
    Signed and dated in pencil on recto (lower right) and numbered in pencil on recto (lower left)
  • Talk To The Hand
    David Shrigley
    Talk To The Hand , 2021
    Linocut on 300gr Somerset paper
    30 x 42 cm
    11.8 x 16.5 inches
    Signed and numbered from an edition of 75 in pencil verso
  • The World
    David Shrigley
    The World, 2020
    8 colour screen print with a varnish overlay on Somerset Satin Tub sized 410 gsm
    75 x 56 cm
    29.5 x 22 inches
    Signed and numbered on reverse
  • You are too Close, Some of My Best Friends Are Pigs, I Will Not Fight, He Will Only Eat Squid Ink Pasta
    David Shrigley
    You are too Close, Some of My Best Friends Are Pigs, I Will Not Fight, He Will Only Eat Squid Ink Pasta, 2020
    Offset Lithograph in colours on 200g Munken Lynx paper
    80 x 60 cm each (4), 31 1/2 x 23 5/8 in each (4)
    Open edition
  • Vibes
    David Shrigley
    Vibes, 2018
    Lithograph in Colours
    70 x 50 cm
    27.6 x 19.7 inches
    Sold
  • Fucking Ace
    David Shrigley
    Fucking Ace, 2018
    Screenprint in colours, on Somerset paper, with full margins.
    76.0 x 56.0 x 2.5 cm
    Signed with initials, dated and numbered 93/125 in pencil on the reverse
    Sold
  • Flowers (Red Poppies)
    Donald Sultan
    Flowers (Red Poppies), 1989
    Screenprint in colors on Arches 88
    58 x 56 cm
    22.8 x 22 inches
    Signed, titled and dated to left and lower edge
  • Wallflowers (Black on Red)
    Donald Sultan
    Wallflowers (Black on Red), 2018
    Screenprint in colours, on heavy wove, signed with the initials,
    175.5 x 68.5 cm
    The artist signed, titled, dated and numbered this print so that it can be installed either horizontally or vertically.
  • Wallflowers (Black on Yellow)
    Donald Sultan
    Wallflowers (Black on Yellow), 2018
    Screenprint in colours on heavy wove
    175.5 x 68.5 cm
    signed with initials, titled, dated & numbered in pencil. The artist signed print so it can be installed either horizontally or vertically.
  • A Particular Kind Of Heaven
    Ed Ruscha
    A Particular Kind Of Heaven, 1983
    Poster
    61 x 92 cm
    24 x 36.2 inches
  • Two Girls Dancing
    Eric Fischl
    Two Girls Dancing, 2011
    Lithograph in colors, on wove paper, the full sheet.
    68.9 x 76.2 cm
    27.1 x 30 inches
    Signed and numbered 65/100 in pencil
  • Chinese Portrait No 53
    Feng Zhengjie 俸正杰
    Chinese Portrait No 53, 2008
    Screenprint on 490 Gram Smooth Custom Paper
    81.3 x 81.3 cm
    Signed, dated and numbered
  • Abstract
    François Morellet
    Abstract
    Screenprint in colours
    Sheet: 15 x 15 cm | 6 x 6 inches
  • Untitled
    François Morellet
    Untitled , 1955-1975
    Screenprint
    69.0 x 69.0 cm
    Signed and dated in the lower right corner
  • Untitled
    François Morellet
    Untitled , 1970's-1990's
    Full Set of 4 ScreenPrints
    80.0 x 80.0 cm
    Signed and dated bottom right hand corner of each work
  • Untitled
    François Morellet
    Untitled, 1957-1975
    Screenprint
    69.0 x 69.0 cm
    Signed and dated in the lower right corner
    Sold
  • Close Up Suite
    Harold Cohen
    Close Up Suite , 1967
    Lithographs in colours on thin wove
    59.5 x 59.5 cm
    Each signed, dated, and numbered on the front of sheet
  • Two Standing Figures
    Henry Moore
    Two Standing Figures, 1949
    Screenprint on linen
    275 x 200 cm | 108.3 x 78.7 inches
    Edition of 30, each variant unique
    Signed “Moore”; dated and numbered; each work in the edition of 30 is unique.
  • Untitled
    Ian Davenport
    Untitled , 2009
    Etching with aquatint, on wove
    42 x 35 cm
    16.5 x 13.8 inches
    Edition of 21
    Signed, numbered and dated and inscribed for Veronica
    Sold
  • pastor of oaks shepherd of stones
    Ian Hamilton Finlay
    pastor of oaks shepherd of stones, 1992
    Silkscreen
    87.6 x 226.1 cm
    Sold
  • Fax, idling its sails
    Ian Hamilton Finlay
    Fax, idling its sails, 1992
    Screenprint
    17 x 89 cm
    6.7 x 35 inches
  • Poverty, pitted with larks
    Ian Hamilton Finlay
    Poverty, pitted with larks, 1992
    Screenprint
    17 x 89 cm
    6.7 x 35 inches
  • Zimmerit - haunting wood nymph
    Ian Hamilton Finlay
    Zimmerit - haunting wood nymph, 1992
    Screenprint
    87.6 x 226.1 cm
    34.5 x 89 inches
  • Untitled
    Joe Bradley
    Untitled , 2014
    Inkjet print on Newsprint
    71.1 x 54.6 cm
    28 x 21.5 inches
    Signed Certificate of Authenticity
  • Fly Away
    John Hoyland
    Fly Away, 1981
    Etching and aquatint with carborundum in colours, on wove paper, with full margins
    68.3 x 91.6 cm
    26 7/8 x 36 1/8 inches
  • Untitled (Smile)
    John Stezaker
    Untitled (Smile), ca. 2011
    Digital archival pigment print on wove
    22.0 x 18.0 cm
    Signed, dated and numbered in pencil on front of sheet
  • Untitled (from White Columns print portfolio 2015),
    Jonas Wood
    Untitled (from White Columns print portfolio 2015), , 2015
    Screenprint in colours, on wove paper, the full sheet
    61 x 50.8 cm
    24 x 20 inches
    Signed, numbered and dated Jonas Wood 52/100 2015
  • Untitled (Xerox)
    Jonas Wood
    Untitled (Xerox), 2009
    Print
    27.3 x 20.8cm
    10.7 x 8.2 inches
  • Vote
    Jonas Wood
    Vote , 2018
    6-colour screen print on Coventry rag paper
    40 x 25 cm
    15.7 x 9.8 inches
    Edition of 300 (total edition includes ten artist's proofs)
    Signed and dated with edition number on front of sheet
  • Bromeliad
    Jonas Wood
    Bromeliad, 2020
    Screenprint in colours on rising museum board
    71 x 58.5 cm
    28 x 23 inches
    Edition of 200
    Signed, dated and numbered in pencil
    Sold
  • Untitled
    Jonas Wood
    Untitled, 2009
    Lithograph, screenprint and woodcut in colours
    101.6 x 72.5 cm
    40 x 28.5 inches
    Signed and dated in white pencil - front of sheet
    Sold
  • Virtually Fragile #17
    Josh Rowell
    Virtually Fragile #17, 2023
    Digital Print on hahnemuhle paper with varnish overlay. ed. of 30
    62 x 80 cm (unframed)
    24.4 x 31.5 inches
    Edition of 30
  • Untitled (from the White Columns portfolio)
    Josh Smith
    Untitled (from the White Columns portfolio), 2014
    Screenprint in colors
    62.0 x 51.0 cm
    Signed, dated and numbered to lower edge
  • Massif Central
    Josh Smith
    Massif Central , 2020
    Silk, cotton and modal blend
    130 x 130 cm
    51.2 x 51.2 inches
    Signed on label on reverse
  • Ainu, Masseuse
    Julian Opie
    Ainu, Masseuse, 2002
    C-type print mounted on wooden panel
    88.0 x 71.4 cm
    Signed 'Julian Opie' on the overlap
    Sold
  • We Swam Amongst the Fishes
    Julian Opie
    We Swam Amongst the Fishes, 2003
    Screenprint on spray finished block in colours, signed and numbered in black marker verso
    75 x 70 x 2.5 cm
    29.5 x 27.6 x 0.9 inches
    Signed and numbered in black marker on verso
  • Concetto spaziale
    Lucio Fontana
    Concetto spaziale, ca. 1970
    Aquatint in green with cutting
    60 x 47.5 cm
    23.6 x 18.7 inches
    Edition of 99
    Signed and numbered front right of sheet
  • Checkmates
    Lynn Chadwick
    Checkmates, ca. 1972
    Lithograph on BFK Rives paper
    193.0 x 142.2 cm
    Signed and dated 72 front right of sheet
    Sold
  • Seated Figures
    Lynn Chadwick
    Seated Figures , 1972
    Lithograph on BFK Rives paper
    142.2 x 193.0 cm
    Signed and dated bottom left of image
    Sold
  • Spagna 1977
    Mario Giacomelli
    Spagna 1977, 1990
    Silver print, selenium toned, printed in 1990
    29.9 x 39.4 cm
    Signed, titled, dated and annotated in pencil with the photographer’s stamp and series’ title stamp on verso
  • STORIE DI TERRA, 1987
    Mario Giacomelli
    STORIE DI TERRA, 1987, 1987
    Silver print
    29.8 x 39.2 cm
    Annotated in pen in unknown hand with photographer and series’ stamps and on the reverse
  • Love Hurts
    Peter Blake
    Love Hurts, 2005
    Screenprint in colours on bright white Colorplan 700gsm with diamond dust
    75 x 57.8 cm
    29.5 x 22.8 inches
    Signed, numbered no.52/75 and titled by the artist
  • Bonfire 9
    Peter Sutherland
    Bonfire 9 , 2014
    Inkjet on perforated vinyl, particleboard (OSB), matte medium
    182.9 x 121.9 cm
    76 x 48 inches
    Signed and Dated Peter Sutherland 2014 on reverse
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