Spectrum charts Riley’s lifelong pursuit of visual harmony and perceptual complexity. Across six decades, she has transformed colour into a language of pure sensation, where the interplay of line, tone and form opens new dimensions of space. This exhibition celebrates that vision and offers collectors and audiences alike an unparalleled opportunity to engage with the full scope of her optical mastery.

Christopher Noulton has been exploring further the subject of life, death, and resurrection, inspired greatly by Stanley Spencer’s The Resurrection, Cookham. Just as Spencer depicted the resurrection in his own village, Noulton too has explored this in his imagined village. In spirit, his vision is not unlike that of Sir Clough Williams-Ellis, the architect who created Portmeirion on the Welsh coast.

James Vaulkhard’s painting evinces the grandeurs of the American landscape echoing the depictions of the past. But in contrast to the black and white palette of say Ansel Adams, here the terrain is imbibed with intense colour and hue speaking of a vibrant world alive to our subjectivity but not consumed by it - seeking instead to turn us from malign introspection to engagement with the real itself.

Timothy Gatenby’s work accesses and archives the sculptural iconography of the past and parallels it with the present, subjecting all elements to a contemporary aesthetic rendering. He refigures the monuments of the past for our present, and archives the monoliths of the present in an archaic past.