• We Swam Amongst the Fishes Julian Opie (2003) Screenprint on spray finished block in colours
    Julian Opie
    We Swam Amongst the Fishes, 2003
    Screenprint on spray finished block in colours, signed and numbered in black marker verso
    75 x 70 x 2.5 cm
    29.5 x 27.6 x 0.9 inches
    Signed and numbered in black marker on verso
  • Concetto spaziale
    Lucio Fontana
    Concetto spaziale, ca. 1970
    Aquatint in green with cutting
    60 x 47.5 cm
    23.6 x 18.7 inches
    Edition of 99
    Signed and numbered front right of sheet
  • Checkmates
    Lynn Chadwick
    Checkmates, ca. 1972
    Lithograph on BFK Rives paper
    193.0 x 142.2 cm
    Signed and dated 72 front right of sheet
    Sold
  • Seated Figures
    Lynn Chadwick
    Seated Figures , 1972
    Lithograph on BFK Rives paper
    142.2 x 193.0 cm
    Signed and dated bottom left of image
    Sold
  • Spagna 1977
    Mario Giacomelli
    Spagna 1977, 1990
    Silver print, selenium toned, printed in 1990
    29.9 x 39.4 cm
    Signed, titled, dated and annotated in pencil with the photographer’s stamp and series’ title stamp on verso
  • STORIE DI TERRA, 1987
    Mario Giacomelli
    STORIE DI TERRA, 1987, 1987
    Silver print
    29.8 x 39.2 cm
    Annotated in pen in unknown hand with photographer and series’ stamps and on the reverse
  • Love Hurts
    Peter Blake
    Love Hurts, 2005
    Screenprint in colours on bright white Colorplan 700gsm with diamond dust
    75 x 57.8 cm
    29.5 x 22.8 inches
    Signed, numbered no.52/75 and titled by the artist
  • Bonfire 9
    Peter Sutherland
    Bonfire 9 , 2014
    Inkjet on perforated vinyl, particleboard (OSB), matte medium
    182.9 x 121.9 cm
    76 x 48 inches
    Signed and Dated Peter Sutherland 2014 on reverse
  • Untitled (Riot Cops), from Charcoal
    Robert Longo
    Untitled (Riot Cops), from Charcoal, 2017
    Ditone print, on Hahnemühle photo paper, with full margins.
    38.7 x 54 cm
    15.2 x 21.3 inches
    Signed and numbered 19/30 in pencil (there were also 10 artist's proofs)
  • Untitled [from Men in the Cities]
    Robert Longo
    Untitled [from Men in the Cities], 1989
    Lithograph with embossing, on Rives BFK paper, with full margins.
    40.6 x 74.3 cm
    15.9 x 29.3 inches
    Edition of 12
    Series: Men in Cities
    Signed, dated, annotated '3SS' and numbered 6/12 in pencil
  • Deep Orange
    Sterling Ruby
    Deep Orange, 2016
    Screenprint and Gicleé with spot varnish in colours on wove paper,
    87.6 x 68.6 cm
    Signed and dated in pencil on the reverse, with edition by SRS in pencil on the reverse,
  • A Public Service Announcement
    Tamar Halpern
    A Public Service Announcement , 2008
    Inkjet print
    127.0 x 101.6 cm
    Signed and dated on verso
  • CD Scan
    Tobias Madison
    CD Scan, 2010
    Epson ultrachrome K3 print in artist's frame
    181.0 x 127.8 cm
    signed with the artist's initials 'TM' (on a label affixed to the reverse)
  • 11.22.63
    Walter Beckers
    11.22.63, 2007
    C-print on aluminium
    200.0 x 270.0 cm
    All parts of the triptych signed on the reverse
  • Playtime
    Zhu Tian 朱田
    Playtime, 2014
    Screenprint on vinyl, 7 separate works
    100.0 x 72.0 cm
  • PEOPLE EXPECT SO MUCH OF ME, LIFE IS VERY GOOD, I DID NOT ASK TO BE A BIRD & TRUTH
    David Shrigley
    PEOPLE EXPECT SO MUCH OF ME, LIFE IS VERY GOOD, I DID NOT ASK TO BE A BIRD & TRUTH, 2021
    A complete set of four offset lithographs in colours on 200g Munken Lynx paper
    80 x 60 cm each (4),
    31.5 x 23 inches each (4)
  • Untitled
    Keiichi Tanaami
    Untitled , 2006
    Print on paper
    50 x 71 cm
    (framed dimensions: 58 x 79 cm)
    Edition of 30
    £ 3,200.00
    Keiichi Tanaami, Untitled , 2006
    £ 3,200.00
  • Corrida II
    Elisabeth Frink
    Corrida II, 1973
    Lithograph in colours, 1973, proof, signed 'Frink' in pencil l.r. with 'Curwen Chilford' blind stamp l.c.
    Sheet 57 x 77.5cm, unframed
    22.4 x 30.5 inches
  • Reclining Figure
    Henry Moore
    Reclining Figure, 1948
    Screen-print on linen
    178 x 254 cm
    70.1 x 100 inches
    Edition of 30
    Sold
  • Untitled, from Serie Rosa (R. & R. E-30)
    Lucio Fontana
    Untitled, from Serie Rosa (R. & R. E-30), 1966
    Etching and aquatint, on BFK Rives paper, the full sheet
    75.5 x 56 cm
    29 3/4 x 22 inches
    Edition of 50
    Signed and numbered 4/50 in pencil (there were also a few artist's proofs)
  • Much is the Force of a Heaven Bread-Poesy
    Gillian Ayres
    Much is the Force of a Heaven Bread-Poesy, 1992
    Screenprint in colours, with gouache
    59 x 59.5 cm
    23.3 x 23.5 inches
    Edition of 50
  • Mascara
    Gillian Ayres
    Mascara, 2004
    Carborundum etching with hand painting
    70 x 70cm, frame size: 90 x 2 x 90cm
    27.6 x 27.6 inches
    10/18
    Signed and dated 2004 in pencil
    Sold
  • Dixter
    Gillian Ayres
    Dixter, 2014
    Aquatint in colours with carborundum, on Moulin Du Gué paper
    57.5 x 65.8 cm
    22 5/8 x 25 7/8 inches
    Edition of 35
    Signed, dated and numbered in pencil
    Sold
  • Russian Bomb ( Semipalatinsk )
    Robert Longo
    Russian Bomb ( Semipalatinsk ), 2011
    archival pigment print on watercolour paper, with full margins
    50 x 39.8 cm
    19 5/8 x 15 5/8 inches
    Edition of 35
    Signed, dated and numbered 33/35 in pencil
  • Spanish Blood (Lion's Gate)
    Robert Longo
    Spanish Blood (Lion's Gate), 2011
    Archival pigment print on watercolour paper with full margins
    60.8 x 45.6 cm
    23 7/8 x 17 7/8 inches
    signed, dated and numbered 33/35
  • Untitled (Shark 5)
    Robert Longo
    Untitled (Shark 5), 2011
    archival pigment print on watercolour paper, with full margins.
    60.8 x 45.6 cm
    23 7/8 x 17 7/8 inches
    signed, dated and numbered 33/35 in pencil
  • Untitled (Ulysses)
    Robert Longo
    Untitled (Ulysses) , 2011
    Archival pigment print on watercolour paper with full margins
    60.8 x 45.6 cm
    23 7/8 x 17 7/8 inches
    signed, dated and numbered 33/35
  • Falkenkopf, Jäger und Adler
    A.R. Penck
    Falkenkopf, Jäger und Adler, 1994
    Screenprint in colours on wove paper with full margins
    61 × 79 cm
    24 × 31 1/10 inches
    An artist’s proof aside from the edition of 90
  • Untitled (Peace)
    A.R. Penck
    Untitled (Peace), 1996
    Screenprint in colours on wove paper with full margins
    125 × 100 cm
    49 1/5 × 39 2/5 inches
    An artist’s proof aside from the edition of 90
  • Triple Pop (Gold)
    Gavin Turk
    Triple Pop (Gold), 2009
    Screenprint in black and gold on Somerset Tub Sized wove paper
    100 x 75 cm
    40 x 30 inches
    Edition of 100
  • Ghost
    Mark Wallinger
    Ghost, 2001
    Offset lithograph on wove paper with full margins
    S: 54.8 x 47.8 cm | 21 5/8 x 18 7/8 inches
    F: 64.6 x 71.6 cm | 25.5 x 28.2 inches
    An artist's proof aside from the edition of 500
    Sold
  • Art & Design (C. 30a-j)
    Michael Craig-Martin
    Art & Design (C. 30a-j), 2012
    The complete set of ten screenprints in colours, on Somerset Satin paper
    100 x 45.3 cm each
    39 3/8 x 17 7/8 inches each
    Edition of 50 alongside 7 artist's proofs
    All signed, dated and numbered in pencil
  • Decade (USA 666)
    Robert Indiana
    Decade (USA 666), 1971
    Screenprint in colours on Schoellers Parole paper
    99.1 x 81 cm
    39 x 32 inches
    Edition of 200
    Signed by the artist
  • Pain Relief - v06183
    Ibrahim El-Salahi
    Pain Relief - v06183, 2024
    Unique silkscreen on calendered Belgian linen
    101 x 82 cm
    40 x 32 inches
    Signed by the artist
  • La Lune en Rodage
    Bridget Riley
    La Lune en Rodage, 1965
    Screenprint on wove paper
    31.9 x 31.9 cm
    12.6 x 12.6 inches
    Edition of 200
  • Bagatelle 2
    Bridget Riley
    Bagatelle 2, 2015
    Monochrome screenprint on wove paper
    52.8 x 82 cm
    20.8 x 32.3 inches
    Edition of 75
    signed, dated, and numbered in pencil
  • Bagatelle 3
    Bridget Riley
    Bagatelle 3, 2015
    Screenprint on wove paper
    I: 44 x 42.7 cm ( 17.3 x 16.8 inches)
    S: 66.9 x 58.6 cm ( 26.3 x 23.1 inches)
    Edition of 75
    Hand - signed by the Artist
  • June
    Bridget Riley
    June, 1992 -2002
    Screenprint in colours on wove paper
    79.8 x 114.0 cm
    31.5 x 45 inches
    Edition of 75
    Signed dated , numbered and titled on front of sheet
  • New Day
    Bridget Riley
    New Day, 1992
    Screenprint in colours on wove paper
    I: 79 x 110 cm | 31.1 x 43.5 inches
    F: 113 x 142 cm | 44.5 x 56 inches
    Edition of 135
    Signed on front of sheet
  • Fete
    Bridget Riley
    Fete , 1989
    Screenprint on paper
    66.1 x 87.3 cm
    Signed numbered and dated on front of sheet
  • Shade
    Bridget Riley
    Shade , 1992
    Screenprint in colours on wove paper
    53.0 x 38.8 cm
    Edition of 75 plus 20 artist's proofs
    Signed titled and dated on front of sheet
  • Blue and Pink
    Bridget Riley
    Blue and Pink, 2001
    Screenprint in colours on wove paper
    44.8 x 133.5 cm
    17.7 x 52.6 inches
    Edition of 90
    Signed, dated, and numbered in pencil
  • Magenta and Yellow (S. 50, T & G. 50)
    Bridget Riley
    Magenta and Yellow (S. 50, T & G. 50), 2002
    Screenprint in colours, on wove paper, with full margins.
    I. 86.6 x 56.9 cm (34 1/8 x 22 3/8 in.)
    S. 108.6 x 74.8 cm (42 3/4 x 29 1/2 in.)
    Edition of 75
  • Going Across
    Bridget Riley
    Going Across, 2001
    Screenprint in colors, on wove paper, with full margins
    I. 41.7 x 72.7 cm ( 16.4 x 28.6 inches)
    S. 61.5 x 91.3 cm ( 24.2 x 35.9 inches)
    Hand - signed by Artist
    Edition of 90
  • Magenta and Blue
    Bridget Riley
    Magenta and Blue, 2002
    Screenprint in colours, on wove paper, with full margins.
    109 x 75 cm
    43 x 29.6 inches
    Edition of 75
  • Rose Rose
    Bridget Riley
    Rose Rose, 2011
    Screenprint on paper
    87 x 69 cm
    34.3 x 23.7 inches
    Edition of 250
    Signed and dated in pencil
  • Brigitte Bardot (H. & I. 22)
    Gerald Laing
    Brigitte Bardot (H. & I. 22), 1968
    Screenprint in colours, on wove paper, with full margins.
    I. 54.2 x 52.4 cm | 21 3/8 x 20 5/8 inches
    S. 58.6 x 89 cm | 23 1/8 x 35 inches
    Edition of 200
  • Bagatelle I
    Bridget Riley
    Bagatelle I, 2015
    Screenprint on Fabriano 5 wove paper
    52.5 x 85 cm
    20.7 x 33.5 inches
    Edition of 75
    Signed, dated, titled and numbered in pencil
  • Beauty World: Style Variation 1 (Afro)
    Derrick Adams
    Beauty World: Style Variation 1 (Afro), 2020
    Screenprint in colours with acrylic varnish, on paper
    68.6 x 50.8 cm
    27 x 20 inches
    One of three printer's proofs, aside from the edition of 30
    Signed and dated in pencil
  • Beauty World: Style Variation 2 (Waves)
    Derrick Adams
    Beauty World: Style Variation 2 (Waves), 2020
    Screenprint in colours with acrylic varnish, on paper
    68.6 x 50.8 cm
    27 x 20 inches
    One of three printer's proofs, aside from the edition of 30
    Signed and dated in pencil
  • Beauty World: Style Variation 3 (High Top)
    Derrick Adams
    Beauty World: Style Variation 3 (High Top), 2020
    Screenprint in colours with acrylic varnish, on paper
    68.6 x 50.8 cm
    27 x 20 inches
    One of three printer's proofs, aside from the edition of 30
    Signed and dated in pencil
  • Beauty World: Style Variation 4 (Beard)
    Derrick Adams
    Beauty World: Style Variation 4 (Beard), 2020
    Screenprint in colours with acrylic varnish, on paper
    68.6 x 50.8 cm
    27 x 20 inches
    One of three printer's proofs, aside from the edition of 30
    Signed and dated in pencil
  • Francine
    Gerald Laing
    Francine, 1968
    Screenprint in colours on wove
    89.2 x 58.3 cm
    35.1 x 23 inches
    Edition of 200
    Signed, titled, dated and numbered in pencil
  • Starlet
    Gerald Laing
    Starlet, 1968
    Screenprint in colours on wove
    89.2 x 58.3 cm
    35.1 x 23 inches
    Edition of 200
    Signed, titled, dated and numbered in pencil
  • Trolley Hunters (Bethlehem Edition)
    Banksy
    Trolley Hunters (Bethlehem Edition), 2011
    Screenprint in colours on paper
    56 x 76 cm
    22 x 30 inches
    Edition of 28
  • RA 2
    Bridget Riley
    RA 2, 1981
    Screenprint on paper
    106.5 x 93 cm
    41 7/8 x 36 5/8 inches
    Printer's proof outside the standard signed and numbered edition of 75.
    Unsigned and unnumbered; without marginal notation
  • Silvered 2
    Bridget Riley
    Silvered 2, 1981
    Screenprint on paper
    106.5 x 93 cm
    41 7/8 x 36 5/8 inches
    Printer's proof outside the standard signed and numbered edition of 75.
    Unsigned and unnumbered; without marginal notation
  • Rude Copper
    Banksy
    Rude Copper, 2002
    Screenprint, on wove paper
    Sheet: 56.8 x 42 cm | 22 3/8 x 16 1/2 inches
    Edition of 250
    Numbered in pencil, an unsigned impression (approximately only 50 of the edition were signed)
  • Fold
    Bridget Riley
    Fold, 2004
    Screenprint in colours, on Fabriano 5 paper, with full margins
    Image: 28 x 22.7 cm | 11 x 8 7/8 inches
    Sheet: 44.7 x 38 cm | 17 5/8 x 14 7/8 inches
    Edition of 250
  • Ferric Ammonium Citrate, from 40 Woodcut Spots
    Damien Hirst
    Ferric Ammonium Citrate, from 40 Woodcut Spots, 2011
    Woodcut in colors, on Somerset paper, the full sheet
    S: 15.6 x 38.1 cm | 6 1/8 x 15 inches
    Edition of 55 plus 15 artist's proofs
  • Andy Warhol, 'Campbell's Soup', Cream of Chicken Soup, 1962
    Richard Pettibone
    Andy Warhol, 'Campbell's Soup', Cream of Chicken Soup, 1962, 1987
    Acrylic and silkscreen ink on canvas
    17.3 x 13.2 cm
    6 3⁄4 x 5 1⁄4 inches
    Edition of 25
  • Odours of Punt
    Jean-Michel Basquiat
    Odours of Punt, 2024
    screenprint in colors, on wove paper
    106.7 x 213.2 cm
    42 x 84 inches
    Edition of 60
    signed and dated '4/11/24' by Lisane Basquiat and Jeanine Heriveaux in pencil within the artist's estate stamp on the reverse
  • The Figure Portfolio
    Jean-Michel Basquiat
    The Figure Portfolio, 2023
    A series of five hand-pulled limited edition screen prints
    129.9 x 81.3 cm each
    48 x 32 inches each
    Edition of 85
    Signed and dated
  • Echoes
    Jeffrey Rothstein
    Echoes, 2020
    Dye sublimation print on aluminium
    76 x 114 cm
    30 x 45 inches
    Edition of 5
  • Gattica
    Jeffrey Rothstein
    Gattica, 2020
    Dye sublimation print on aluminium
    76 x 114 cm
    30 x 45 inches
    Edition of 5
  • Paradise (lost) and Found
    Jeffrey Rothstein
    Paradise (lost) and Found, 2020
    Dye sublimation print on aluminium
    76 x 114 cm
    30 x 45 inches
    Edition of 5
  • Standing People (Red, Yellow, Black, White)
    Julian Opie
    Standing People (Red, Yellow, Black, White), 2020
    Lenticular acrylic panels mounted to white acrylic
    111.2 x 119.4 x 3.2 cm
    43.8 x 47 x 1.3 inches
    Edition of 25
  • Growing Suite Portfolio (Set of 5 Prints)
    Keith Haring
    Growing Suite Portfolio (Set of 5 Prints), 1988
    Colour Screenprint on Lenox Museum Board
    76.2 × 101.6 cm
    30 × 40 inches
    Edition of 100
    Signed, dated and numbered in pencil by the artist
  • A Moving Still Life, plate 18 from The Blue Guitar (S.A.C. 216, M.C.A.T. 195)
    David Hockney
    A Moving Still Life, plate 18 from The Blue Guitar (S.A.C. 216, M.C.A.T. 195), 1976-77
    Etching and aquatint in colours, on Inveresk mould-made paper, with full margins.
    I. 34.5 x 42.5 cm | 13 5/8 x 16 3/4 inches
    S. 46 x 53 cm | 18 1/8 x 20 7/8 inches
    Edition of 200 plus 35 artist's proofs
  • A Tune, plate 3 from The Blue Guitar (S.A.C. 201, M.C.A.T 180)
    David Hockney
    A Tune, plate 3 from The Blue Guitar (S.A.C. 201, M.C.A.T 180), 1976-77
    Etching and aquatint in colours, on Inveresk mould-made paper, with full margins
    I: 34.5 x 42.5 cm | 13 5/8 x 16 3/4 in.)
    S: 45.9 x 52.4 cm | 18 1/8 x 20 5/8 inches
    One of 35 artist's proof aside from the edition of 200
  • Byron on Hand (T.G. 264, M.C.A.T. 218)
    David Hockney
    Byron on Hand (T.G. 264, M.C.A.T. 218), 1979
    Lithograph, on Chinese Traditional tissue paper, the full sheet
    34.7 x 30.2 cm
    13 5/8 x 11 7/8 inches
    One of 14 artist's proofs, aside from the edition of 60
  • Henry with Tulips, from Friends (G. 737, S.A.C. 187, M.C.A.T. 177)
    David Hockney
    Henry with Tulips, from Friends (G. 737, S.A.C. 187, M.C.A.T. 177), 1976
    Lithograph in colours, on Arches Cover buff paper, the full sheet
    105.6 x 75 cm
    41 5/8 x 29 1/2 inches
    Edition of 90 plus 20 artist's proofs
  • Marguerites (S.A.C. 157, M.C.A.T. 141)
    David Hockney
    Marguerites (S.A.C. 157, M.C.A.T. 141), 1973
    Etching and aquatint in colours, on Arches mould-made paper, with full margins
    I. 23.5 x 17.8 cm | 9 1/4 x 7 inches
    S. 41.3 x 31.7 cm | 16 1/4 x 12 1/2 inches
    Edition of 100 plus 23 artist's proofs
  • No. 329, 8th August 2010, from A Bigger Book: Art Edition A
    David Hockney
    No. 329, 8th August 2010, from A Bigger Book: Art Edition A, 2010
    iPad drawing in colours, printed on archival paper, with full margins,
    I: 43.8 x 33 cm (17 1/4 x 13 in.)
    S: 55.8 x 43.2 cm (21 7/8 x 17 in.)
    book 71.1 x 50.8 x 8.6 cm (28 x 20 x 3 3/8 in)
    Edition of 250
  • Peter Schlesinger, from Friends (G. 734, S.A.C. 185, M.C.A.T. 172)
    David Hockney
    Peter Schlesinger, from Friends (G. 734, S.A.C. 185, M.C.A.T. 172), 1976
    Lithograph in sepia, on Arches Cover paper, the full sheet
    40 x 29.8 cm
    15 3/4 x 11 3/4 inches
    Edition of 90 plus 18 artist's proofs
  • Red Square and the Forbidden City
    David Hockney
    Red Square and the Forbidden City, 1982
    Lithograph in colours, on Somerset wove paper
    49.2 x 54.3 cm
    20 x 21.5 inches
    Edition of 1000 plus 100 artist's proofs
    Signed and dated in pencil; comes with the book China Diary, signed by both David Hockney and the co-author Stephen Spender
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